As I analyze my own taste in music, I notice my favorite fingerstyle instrumentals are possessed by the pioneers (Leo Kottke – The Fisherman), the innovative (Michael Hedges – Because It’s There), and the virtuoso (Andy Mckee – Rylynn). In my perpetual exploration of fingerstyle guitar, eventually, like almost all the musical artists I discover, I stumbled upon Masaaki Kishibe on Youtube a few years ago. One of his more popular songs is Hana (花), the character in Japanese (and in Chinese) translates to flower. As I listened to his music, and particularly to this piece, I realized that one doesn’t need fancy techniques, nor esoteric music theory manipulations, nor be pushing the boundaries of an instrument, to create beautiful music. As beautiful, elegant, and charming as it is simple, Hana has since become one of my favorites tunes of all time. So here it is, my cover of Masaaki Kishibe’s Hana.
Katawa Shoujo – After Lilly’s Route
Warning, spoilers follow.
Lilly Satou…well, let’s first talk about my impression of her. She is an exceedingly attractive lady. Judging from the various character art of her, and Hisao’s own words, I dare say in terms of physical beauty, she outshines the rest. She is also well bred, caring, sensitive (in all her corporeal and incorporeal instruments), with a capable mind on her shoulders. Her blindness is almost charming. As Lilly’s own older sister Akira intimated, very fortunate is he who would win her heart. Cue Hisao.
As for their tale, it plays out much like a traditional romance. There is lots of dating, lots of holding hands, lots of hugging, lots of kissing, and lots of sex, or more accurately, love making. Lovey dovey stuff galore. The crucial point here, I felt, was that the love they have for each other is very genuine and equal in magnitude. Often times the feelings between a pair are not nearly as balanced, nor as pure, as Lilly’s and Hisao’s are. Because of this, this couple appears extremely natural, as if they truly belonged together. Hisao’s condition actually plays a more significant role in Lilly’s romance than it did for Shizune’s and Rin’s, and along with Lilly’s less than ideal family situation, these two circumstances add dimension and uncertainly to an otherwise conventional love story, and further strengthens the stalwart bond they already have. Though I have to say, I saw the final development coming a light year away. Could the writing be any more obvious at that stage?
I want to make a comment regarding Hisao’s thoughts on Lilly’s summons. Near the very end Hisao explains that he doesn’t want Lilly to leave because he doesn’t want her to lose everything as he did when he had his first heart attack. And he also says due to the onset his arrhythmia, he was given a new beginning, a new future with Lilly that has brought him much happiness and change for the better. Well then Hisao, if Lilly departs, might she also have a fresh start? A different future that may contain better fortune for her as it did for you? I believe what Hisao asked of Lilly was very selfish. But I guess since both are struck by the same arrow of Cupid’s, they deserves to be.
I do not care much for saccharine traditional romances such as this, as it only serves to cruelly remind me of what I never had, and never will. And although I am fully aware these two do not exist beyond letters and pigments, I still feel a tinge of envy and depression within me every time I am reminded of their story. They were the only emotions I had as I digested the route. I can see for those with healthier hearts and souls, this can be an uplifting and heartwarming experience. For me, though, it is quite the opposite. Sigh…I need a drink.
Katawa Shoujo – After Rin’s Route
Well, I never thought I would say this, but the music of Katawa Shoujo has grown on me, specifically the more poignant pieces. The scenes for which they are composed and selected for has thus far been impeccable; the scenes seemingly giving meaning to the song, and vice versa.
Warning, spoilers ahead. After finishing Rin’s route, reaching the good and the bad ends, the environment in my mind was perhaps much like hers, a jumble of incoherent thoughts and feelings. Sadness, sympathy, curiosity, frustration, confusion, and a host of unnamed sentiments washed over me as Rin’s story unfolded. To be able to elicit this many emotions out of me, deserves applause. The difference between Rin and Shizune, and their routes, is very much night and day respectively. Rin’s story was moody, capricious, and filled with uncertainly, from beginning to end. Shizune’s, aside from Misha’s revelation, was mostly lighthearted and predictable. Shizune herself is like a square piece of glass: transparent, with a clearly defined shape. It takes but a glance to see who she is. While Rin is more like an unknown opaque liquid or gas. She is there, but no one really knows what she is, and its structure alterable, and defies containment.
I was much more absorbed and determined while reading Rin’s route than Shizune’s. Rin’s route was highly philosophical, touching upon themes of self-identity, semantics, definition, art, meaning and purpose of life. These are all profound questions that I believe one eventually ask of themselves at some point of their lives. Rin is a soul all too aware of these questions. Troubled and without answers, she appears as an enigma to those to who try to define her. There is a hurricane raging inside Rin, and her consciousness lies in the eye. Who knows how long poor Rin has suffered, and because of our similar struggles, I deeply sympathize and care for Rin. Unable to express herself cogently, and unsure of what to express, her turmoil remains caged, but little does she know a certain boy named Hisao will stumble upon her eating lunch, and will thenceforth constantly prod at her lock…
Eventually in the good end the storm is released, and she finds and accepts herself. And her final words are these: “What’s the word for when it feels inside your heart that everything in the world is alright?” How many people are already able to say this during their senior high school year?
I think the answer is “peace”, my love. I wonder what that feels like…
Katawa Shoujo – After Shizune’s Route
I finished my first route of Katawa Shoujo yesterday. Those of you who frequent /a/ of 4chan will have heard and may have even anticipated for this game, or rather I should say, visual novel. For those with virgin ears to Katawa Shoujo, you can read about the details of its history and conception at the developer’s blog site. I will give a very brief background here. It all started with a drawn concept image of five handicapped girls, and the possibility of a visual novel was suggested. A team of people formed Four Leaf Studios with the goal of turning that possibility into reality, and roughly five years later the complete program was released a little over a week ago. A testament to determination.
I first chose Shizune based on one simple reason: because she is bespectacled. Glasses score big points on my list of criteria of female attractiveness. Shizune is also a forward, strong-willed, hardworking, and responsible girl. These are all qualities that I respect, and as such, Shizune’s personality is one I can hold in high esteem. However, her character feels a little bit, and pardon the pun, two dimensional. The writing forming her character is lacking in emotional impact. By the end of the route all I learned about her is that she is a deaf-mute, ambitious, assiduous girl. And little more. One can already gather this information without needing to journey through her route anyway.
Misha, on the other hand, was the one who generated most of the emotions of the route. Where there is laughter, there is Misha. Where there is drama, there is Misha. So despite a specious impression of simple-mindedness, Misha possesses more emotional complexity than Shizune, and I dare say due to that Misha is the more interesting character of the duo. I must say though, without spoiling too much, the tension that surfaces between Misha and Shizune came somewhat out of left field, and felt underdeveloped. Or it could be me, missing the hints. Certainly, Misha deserves a substantial role and her own spotlight in Shizune’s story. After all, she is nearly an inseparable part of Shizune’s life during the course of the game, and to not involve her between Shizune’s and protagonist’s budding relationship would have been a greater atrocity. To have limited Misha’s character as nothing more than Shizune’s walking translator would have done Misha a disservice, and the writers has rightly avoided that by injecting drama centered on Misha.
As for the presentation. The art is serviceable, although the obvious changes in art styles can be a little jarring at times. Some of the music almost borders on catchy, however, their simplicity and restraint evinces their purpose as background lullabies. The writing I will hold judgment until I have finished more routes.
Shizune’s playthrough lasted an almost exact duration of nine hours. I have just begun my second, aiming for Rin. I hesitate to praise or denigrate Katawa Shoujo as a whole at this moment, as I am far from full completion of the game. What I can say is I like it enough to play it for the second time, which is more than I can claim for a lot of games. And oh, by the way, the game is free.
Another after episode 01 – First Impressions
I absolutely loved the first episode. Another is my type of show, and pushes all the right buttons. The atmosphere is as gloomy as I envisioned, and it is so thick and relentless I wonder how the characters in the show even breathe. Silence in the horror or mystery genre such as this speaks volumes, and often tells more than overt music or explications. And where there is music in Another, it is never overbearing, deftly fitting and timed to happenstances. The animation is equally impressive, with painting-like quality in backgrounds, and polished character models. It also helps that all the females in Another are very pretty.
The peaceful looking town of Yomiyama belies the fact that it is enshrouded by secrets and mysteries, events so unsettling that the whole town, or at least quite an amount of townsfolk are intent on keeping them hidden. Kouichi is essentially an outsider, and he possesses the naivety and inquisitiveness to unravel the town’s secrets. I keenly look forward to how Kouichi start to form questions and searches for the answers that we as viewers are all looking for.
